Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016
Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016

Retrace our steps | Carlos Ayesta, Guillaume Bression | Chanel Nexus Hall 2016

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4to, hardcover with the signature slipcase of this collection. NF conditions.

"Since the tsunami and the nuclear catastrophe of March 2011, Carlos Ayesta and Guillaume Bression have made regular visits to the region of Fukushima, and especially to the “no man’s land” around the stricken power station. The fruit of their numerous visits is five series of strongly aesthetic photographs which mix posed situations with a documentary approach." - From publisher's website 


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