Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]
Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]

Hareta Hi, A Fine Day | Kishin Shinoyama | Heibonsha 1975 [SIGNED]

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4to, hardcover. Signed first printing copy. Tis copy in NF/VG conditions. There are a few small stains on the first and last pages.

Fine Day / Hareta Hi covers a broad range of subjects, from tv programs, landscapes, protesters to portraits of politicians in numerous double page full-bleeds rendered in rich saturated colors. Shinoyama combines the journalistic and the personal into a unique and highly subjective vision of postwar Japan in one of his masterpieces.

Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume I


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