The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]
The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]

The Yokohama Project | Giada Ripa | GOST 2026 [SIGNED]

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"While rummaging through old boxes in her family home in Piedmont, Italy, Giada Ripa discovered an album of 53 hand-coloured photographs by the first visual narrator of Japan, Felice Beato, capturing 1860s Japanese local society. In parallel and a few months later, she found an unpublished manuscript by an old relative and muse to many intellectuals, Mathilde Ruinart, who lived in Japan at the same time and befriended Beato. Inspired by their work, Ripa embarked on a journey to retrace their footsteps, weaving their historic perspectives with her own unique style of photography." - From publisher's statement

Text in English and Japanese.


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